 whatever flickerings of potential this young tyro possesses <,> they cannot cover up the fact that he is a painter with the imagination of a retarded adolescent <;> no technical mastery <;> no intuitive feeling for pictorial space <;> no sensitivity towards <,> or grasp of <,> tradition <;> and a colour sense rather less than that of congo <,> the chimpanzee who was taught <(> among other things <)> a crude responsiveness to colour harmonies by desmond morris in the late 1950s <.> however <,> potentially educable as a painter schnabel may or may not be <,> his work is just not worthy of serious attention by anyone with a developed taste in this particular art form <.> readers need also to be wary of the existence of special markets <.> the explosive prices for teddy bears in the last few years indicate how a market can be created <,> in this case by a mix of merit and nostalgia <.> what is clearly a dealers <'> market is often signalled by the invention of a brand name to group together a variety of material <,> perhaps rather disparate <.> pop <head> art </head> is an example <.> 
 special provisions will also ensure that those on modest incomes most of which comes from investments <,> such as people who have been made redundant <,> do not pay this 9 <%> on their savings <.> widening horizons <:> investing in the arts the arts benefit society in two ways <.> first <,> access to the arts is intrinsic to a high quality of life <.> second <,> the cultural sector the arts <,> crafts <,> design <,> and audiovisual industries makes as great a net contribution to the economy as does the oil industry <.> we will <:> create a new ministry of arts and communications headed by a minister in the cabinet <.> liberal democrats will raise investment in the arts to the ec average over five years <.> reform and decentralise <head> arts </head> funding and organisation <.> 
 it is fair to say that nothing frank has achieved as a filmmaker approaches the heights he scaled with the americans <.> the 50minute film he made for arena suggests why <:> last supper frank on frank looks like a parody of the excesses of sixties avantgarde filmmaking <.> on an empty lot between two harlem streets <,> a group of people arrive for an outdoor party to celebrate the new publication of an unnamed author <.> initially they make respectful smalltalk about him <,> but their comments grow increasingly resentful as it becomes apparent he will not show up <.> some events in last supper appear roughly improvised <.> yet hefty chunks of dialogue are obviously and rather archly staged <.> people say things like <:> you ever notice how all <head> art </head> focuses on people in trouble <?> 
