Wishes for Latin Modern
    
      
	
	  Unfortunately, I will not be able to maintain this www page
	  anymore. I am searching for a person that can do the work from now
	  on.
	
      
    
	
    
      In de.comp.text.tex, there has been a discussion about the 
      Latin Modern font family that is developed by
      Bogusław Jackowski aka Jacko,  
      B.Jackowski@gust.org.pl, 
      and Janusz M. Nowacki,
      jnowacki@uck.uni.torun.pl.
    
    
      This list contains wishes for future versions of the Latin Modern
      font family (versions 0.86 to 0.92).
    
    
      Wishes that will surely not be realized are 
      canceled like this.
    
    
      Here, you can find these wishes that have 
	been realized or rejected.
    
    How to add new items to this list
    
      At the moment, nobody maintains this page. Until a new maintainer is
found it is difficult to add new items.
    
    Kerning
    
      - 
	Jacko/Janusz (2004-04-16):
	  All kerning has been prepared from scratch.
      
- 
	Ralf Stubner,
	Harald Harders (2004-07-19):
	Kerning around quotation marks is problematic, see
	lm-kerning-092.pdf and
	lm-kerning.tex. Note the large
	corrections needed for quotedblleftwhen it is used as
	German style right quotation mark.  This is caused by the 
	horizontally not centeredquotedblleft. There is a simple
	solution by usingquotedblleft.altetc. which are
	horizontally centered. We do not see any disadvantage in using
	these, even not for English texts.
- 
	Oliver Heins (2004-11-26):
	Kerning between the bold and roman letters ‘t’ and 
	‘l’ seems to be too big.  Especially the bold version
	is very ugly.  Both italic and bold-italic are okay.
	See
	lmodern-tl.pdf and
	lmodern-tl.tex.
      
Text fractions
    
    
      - 
	Harald Harders:
	Superior and inferior digits, comma, and period for 
	arbitrary textfractions similar to textcomp's
	\textonehalfshould be added. 
	The solidus exists called ‘fraction’ (Thanks to 
	Morten Høgholm).
 Jacko/Janusz (2004-04-16): Not touched yet.
- 
	Morten Høgholm
	(2004-04-16):
	It would be great if the `solidus' could 
	  have a fake lenght so that you wouldn't need to kern all 
	  the time; just like it is in the Adobe fonts.
Single glyphs/ligatures
    
      - 
	Harald Harders:
	I like the μ that is a mixture from the u and the p, as it is 
	in cm-super (with serifs), more than the Latin Modern μ which 
	does not have serifs at all. But this topic seems to be controversial.
	Stefan Ulrich
	does not agree.
	  He thinks that most greek fonts don't have a serif at the descender 
	  of the \textmu.
 Jacko/Janusz (2004-04-16): Not touched yet.
- 
	Gerrit Kirpal:
	The degree symbol (\textdegree) should have the
	same size as the degree sign in degree celsius
	(\textcelsius).
	It should be slightly larger than used in\textcelsiusbut much smaller than in\textdegree. A ratio of 2/5 
	between the diameter and the height of capitals would be nice
	(in\textcelsius, it is 1/3 while it is 1/2 in\textdegree).
 Harald Harders
	I fully agree. 
	The\textdegreereally is ugly in Latin Modern.
	In addition, the outline of the ball in\textdegreeis
	too thin.
 Jacko/Janusz (2004-04-16): We also agree that the present
          state of the art
	  is unacceptable. Will be touched as soon as possible.
- 
	Gerrit Kirpal:
	The circled text symbols are better than in cm-super, but they
	  have too thin outlines.
	
 Jacko/Janusz (2004-04-16): Not touched yet.
- 
	Harald Harders:
	The \pmis ugly.
	The original CM version is much nicer.
	At least, the ‘+’ part of the sign should be 
        symmetrical.
 Jacko/Janusz (2004-04-16): 
	  Hardly implementable to full extent. Knuth constructs plusminus
	  by shifting plus so that its bottom touches the baseline and next
	  places a bar (minus) on the baseline. This works for circa half of
	  the LM family. In the rest of fonts the glyph would be too high
	  (most notably in LMBX5, LMBX6, LMSSQBX8 and LMSSQBO8). We decided 
	  that the resulting glyph should not be higher than ascender height; 
	  if it would, we decreased its height par force.
- 
	Christian Ebert (2004-01-16):
	Some design dizes are not displayed correctly in Acrobat Reader
	  (at least version x86 linux 5.0.5), e.g.,
	  the ‘A’ in 10pt is printed below the baseline 
	  (lm10pt.tex,
	  lm10pt.png);
	  the ‘i’ in 11pt is printed above the baseline 
	  (lm11pt.tex,
	  lm11pt.png).
 Andreas Lobinger
	(2004-01-16):
	This may occur due to wrong hinting.
 Jacko/Janusz (2004-04-16): Not touched yet.
- 
	Ralf Stubner
	(2004-03-12):
	  The umlauts in ä, ö, and ü as well as in 
	  Ä, Ö, and Ü should be
	  at the same height as in the EC fonts.
	  This height is a compromise between the default placement in the
	  CM fonts and the placement in the CM fonts with 
	  (n)german. Example:
	  umlauts.pdf,
	  umlauts.tex.
 Jacko/Janusz (2004-04-16): 
	  Not touched yet. We wanted to consult the matter with Hermann
	  Zapf (there was a little chance) but we haven't managed to 
	  arrange the meeting.
- 
	Arni Magnusson (2004-04-16):
Thanks for creating the lmodern fonts. Icelandic LaTeX users have been
using cm-super to render the Þ (thorn) and Ð (eth) characters in type 1,
and although cm-super does a fine job, lmodern seems like a cleaner
solution to the Þ and Ð problem.
 I understand you are still working on the fonts, and I'd like to offer my
comments on issues specific to Icelandic characters. If you open the three
attached PDF documents (not provided here, Jacko does have the examples), you will notice mainly three differences: (1) the
upper case Þ should carry its belly higher in lmodern, (2) the comma over
the ú should have a lower angle, and (3) the neck of the ð should be bent
further down. Knuth's bitmaps and cm-super look similar to books printed
in Iceland.
 The kerning is also an issue, in light of Knuth's original goal, described
in the TUGboat 21(2): "the rendering [should] be the same in ten years
[...] on everybody's machine it [should] come out the same, not only now
but in the future." An ambitious goal, but at any rate, the smaller the
kerning differences, the better.
- 
	Morten Høgholm (2004-06-11):
At this years BachoTeX I talked to Boguslaw about adding some more  
ligatures to Latin Modern, as we in Danish really need fj. At  
http://www.eur.nl/fw/staff/lokhorst/metafont.html a lot of ligatures are  
shown, although not all of them are particular nice. He promised to look  
at it. (When you have the standard fi and ij ligatures, you would also  
think there should be an fij, right? In polish they have a common flower  
named `fijolet' making Boguslaw even more eager to add it... The Dutch use  
it in common words as `fijn' as well.) I guess this calls for a special  
fontencoding for Danish users.
	Harald Harders:
There are some good ligatures. But for example the fff ligature is useless
in German. You should be careful in adding new ligatures.
      
- 
	Martín Darío Safe (2004-07-05):
When using the lm package version 0.92, almost all occurrences of
‘ij’ and ‘IJ’ in your document will output ij
and IJ Dutch digraphs. This seems inadequate for all European languages
but Dutch. Also, this behaviour can prevent you from copying and pasting,
searching, and indexing words containing ‘ij’ on PDF
files for non-Dutch texts.
More description about that topic at
http://www.mdsafe.com.ar/ijdigraphissue.htm.
      
- 
	Eckhard Neber (2004-07-09):
I asked on dctt why the glyphs of scedilla and tcedilla are different 
from the others and was pointed to 
http://www.tug.org/tug2003/preprints/Jackowski/jackowski.pdf
It says that this is a feature following the rules of the Romanian 
language, but referring to
"http://www.evertype.com/alphabets/turkish.pdf
it is handled differently in Turkish.
Is there a possibility to have both variants?
      
- 
	Ralf Stubner
	(2004-07-17):
Similar to [sS]cedilla, [tT]cedilla should really be a [tT] with cedilla
below. Both, [sS]cedilla and [tT]cedilla should be used in T1/Cork
encoding, as the turkish [sS]cedilla would not be available otherwise,
and using [sS]cedilla and [tT]commacent at the same time would be
inconsistent. [sS]commaacent and [tT]commacent are still available via
the QX encoding. Also, the EC fonts, which can be seen as reference
implementation of the T1/Cork encoding, use [sS]cedilla and [tT]cedilla.
      
- 
	Ramón Casares
	(2005-06-01):
The Latin Modern fonts are really needed in Spanish, so I am following its
development with much interest. One thing I have notice, comparing last year
printings – from August to be more precise – with printings done with the
new version, is the horizontal placement of the acute accent. In the last
year printing, the acute accent was a little bit to the right, but
acceptable. The current version is too much to the left. And, in the case of
the í, is imposible for me not to notice it every time I
read it. So I would suggest to use the Computer Modern model to place the
acute accent, which is just where it should.
- 
	Stephan Hennig
	(2005-03-08):
In thread "Italicalized old-style figures" from 2004-09-08 on
comp.text.tex there has been some agreement to the opinion CM's
old-style figures do look ugly. Is it possible for LM to provide nicer
old-style figures?
 As I'm completely ignorant about font design I don't really know what
makes CM's old-style figures look so boring. And I don't know if a
complete redesign would be necessary to get nicer ones. Maybe just
slanting the current old-style digits slightly could make the
single digits look more individual and less obstrusive?
 Harald Harders:
I think only a complete new design would help. For instance, the 1 and 3
normally really look different in lining and old-style figures which they
don't for LM. Slanting is wrong in my opinion.
General things
    
      - 
	Harald Harders:
	Virtual fonts or font encodings for usage of old-style digits
	(similar to the eco package).
	Small Caps should either use old-style digits or get extra
	lining digits with a height that fits to the 
	‘minuscles’.
	
 Jacko/Janusz (2004-04-16): 
	  Not touched yet. Help is welcome. But remember that each new
	  encoding means a new set of TFM files.
- 
	Harald Harders:
	I would like proportional digits in addition to the table digits 
	with same width which are provided up to now.
	
 Jacko/Janusz (2004-04-16): Not touched yet.
- 
	Harald Harders:
	I think Latin Modern should have a full set of Small Caps fonts
	including bold series, italic/slanted shape as well as the sans serif 
	and type writer families.
 For the roman (serif) family of Latin Modern, the bold extended small 
	caps font shapes are missing
	(‘LMCaps##-Bold’ and ‘LMCaps##-BoldItalic’).
 Jacko/Janusz (2004-04-16): 
Nice idea, although it would require a lot of work (see the remarks
concerning the preparing of the bold typewriter variant). But it should be
considered seriously, as Knuthian small caps are hardly usable in the context
of OpenType fonts (see below). So, perhaps adding alternative small caps
makes sense.
- 
	Harald Harders:
	The slanted small caps font shape ‘LMCaps##-Italic’
	is present, but it is not prepared to be used by LaTeX.
	With the package 
	‘slantsc.sty’, 
	slanted small capitals 
	can be used, if the corresponding fdfiles contain
	entries for font shapesscslandscitfor
	slanted and italic font shapes, respectively.t1lmr.fdalready includes the fontlmr/m/scsl(Normal weighted slanted small capitals).
	For the italic shape, a substitution could be defined:
 \DeclareFontShape{T1}{lmr}{m}{scit}{<->ssub * 
	  lmr/m/scsl}{}.
 The same should be done for new small caps shapes (sans serif, bold, 
	etc.).
 Jacko/Janusz (2004-04-16): 
Not touched yet. We'll try to prepare the relevant files in the next release.
- 
	Harald Harders:
	Cpa files for supporting the package pdfcprotshould be
	added (2003-11-26).
 Jacko/Janusz (2004-04-16): 
	  Not touched yet. Help welcome.
- 
	Michael Zedler (2004-01-15):
	Build an OpenType version of Latin Modern. Then, SC, OSF,
	  special ligatures etc. were included and accessable from DTP
	  programmes.
	
 Jacko/Janusz (2004-04-16): 
We work on it, but the task is not trivial. For example, metric files
for cmr10 and cmcsc10 differ significantly. Compare the two excerpts
from AFM files:
 cmr10.afm:
 C 65 ; WX 750 ; N A ; B 32 0 717 716 ;
 C 66 ; WX 708.333 ; N B ; B 36 0 651 683 ;
 C 67 ; WX 722.222 ; N C ; B 56 -22 665 705 ;
 cmcsc10.afm:
 C 65 ; WX 813.879 ; N A ; B 48 0 765 716 ;
 C 66 ; WX 770.824 ; N B ; B 58 0 698 683 ;
 C 67 ; WX 786.102 ; N C ; B 72 -22 713 705 ;
 Small caps are circa 10% wider; therefore, cmcsc10 and cmr10 cannot just
be joined into a single OpenType font with small caps available through
the `smcp' feature.
 Peter Dyballa (2004-11-25):
	      Will Robertson has prepared an OpenType version of the Latin
	      Modern fonts (for usage with XeTeX):
	      http://www.mecheng.adelaide.edu.au/~will/tex/
- 
	Make Latin Modern fonts usable with Mac computers (2004-01-16).
	
 Jacko/Janusz (2004-04-16): 
Once we have OpenType fonts the problem will be solved, will it not?
Needs time, however.
	  
	  (I don't know if this is an official work.)
- 
	Harald Harders (2004-07-09):
	The lmodern.sty style file should get the same version number and 
	date as the Latin Modern fonts and a description what it does, e.g.,
	
 \ProvidesPackage{lmodern}[2004/04/14 v0.92 Latin Modern fonts]
- 
	Juhapekka Tolvanen (2004-08-24):
	It would be nice, if latin Modern would include also those fonts of
Computer Modern Bright. Right now the only free (in the sense of freedom)
version of Computer Modern Bright in Type 1 format is in that awfully
big cm-super package and hfbright package.
      
    Harald Harders 
    
    
Last modified: Tue Sep  6 00:25:48 CEST 2005